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Archive for the ‘Only Right Music’ Category

music2017-4

In which we’ve arrived in the movie music territory.

15. Ryan Gosling and Emma Stone, “City of Stars” (2016)

While I hated (well, not as much “hated” as was utterly unimpressed by) “Bla Bla Bland”, I have to admit this is a really nice song that deserved the Oscar it’s got. Much more than the movie istelf deserves all the attention.

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music2017-3

We’re done with Kate Bush already? I think so. Are we done with catching up with old music of known artists? Not so much…

10. The Legendary Pink Dots, “The Heretic” (1985)

Besides Kate, 2017 was also the year of filling some gaps in my knowledge of this one of a kind psychedelic band and their extremely wide output. I didn’t listen to EVERYTHING, because I can’t believe it’s possible in one lifetime to listen to all Edward Ka-Spel ever released (the sheer volume of LPD’s discography – available in its entirety both on Spotify and Bandcamp – makes my head hurt), but also because I limited myself to only major releases in chronological order… and I arrived at 1984’s “The Lovers” pretty quickly and just stayed there.

The whole album is very good, which is something of note because The Dots are known for their uneven releases (not many of their albums are digestable in their entirety, mostly it’s one-two good songs among some terrible musical gibberish). And from it “The Heretic” is arguably the most memorable, but by far not the only good song – “Jungle” or “Flowers for the Silverman” are just as good.

It’s good to know the Dots have more pearls that can be found in their vast junkyard of a discography. (more…)

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music2017-2

Inspired by the very good documentary I found on YouTube I decided to check out the rest of Kate Bush’s discography, previously being thoroughly familiar with only her two most acclaimed albums, “The Dreaming” (a collection of ten fantastic songs on big variety of topics) and “Hounds of Love”, the first half of which is five hit songs ranging from good to amazing, and the second is “The Ninth Wave”, a true masterpiece concept suite consisting of seven songs and telling a gut wrenching story about a woman washed over and left alone in the night, and her sheer determination to survive, just her, the sea and her thoughts (oh, shit, I have JUST learned that “The Ninth Wave” is also a painting!)

So now I’m familiar with the entirety of This Woman’s Work (a gratuitous Kate Bush song reference here) and I can’t think of another artist I know who achieved a comparable level of flawlessness – there isn’t a SINGLE SONG on ANY OF HER TEN ALBUMS that I wouldn’t like. Not even a single song that would not resonate with me. She is just amazing in how she can make every piece compelling. (more…)

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music2017-1I want to go back to writing here and what better time to start than the beginning of the year, the time of resolutions and new beginnings? And what better topic that summaries of the year that’s now gone?

The last time I made a musical summary of a year was six years ago and I have to really keep myself from telling you all the great music from that whole period… But I will have to start with some pieces from 2016 too, because they were prevalent and listened to very often in 2017 as well.

1. Abney Park, “The End of Days” (2010)

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I saw Lindsey Stirling live in Torwar arena in Warsaw.

I’ve been to other shows before. I saw U2 on the stadium in Chorzów at their 360 Tour. I saw eight hours long concert of four more or less progressive bands, culminating on a recorded on DVD show by the band Arena. I saw The Legendary Pink Dots twice and Pendragon thrice, including a 30th Anniversary show in Śląski Theathre, also recorded on DVD. Finally, I saw Roger Waters and his The Wall on National Stadium in Warsaw. So, what could a modest, 28-years old violin-playing Mormon girl give me?

I mean, besides THE BEST SHOW I’VE EVER BEEN TO IN MY ENTIRE LIFE?
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Thomosexual

Thom Yorke

Thom Yorke

Dear diary,

I fell in love with Radiohead. Does that make me Thomosexual?

It happened last year after my friend, Cracked, told me about ten easter eggs hidden in famous albums. Two of them were on Radiohead’s works, so I decided to give them a listen, starting with 1997’s “OK Computer”. Before I knew, I bought it and was listening to it repeatedly, intertwined with decade later’s “In Rainbows”!

But when I wrote on the Wall that I like them more than Porcupine Tree, some people said I’m just saying that because they’re new (for me, at least) and that it’s just an infatuation that will pass. How can they know? And why one of them, my friend and a huge Porcupine Tree fan, recommended me “Kid A”, an album released in 2000 and quoted by several sources to be one of the best of the “noughties” (i.e. the 2000s)? Yeah, good job, Lipton, way to undermine your favourite band! Because now over half a year has passed and still Radiohead works better for me than the Porcs. Dear diary, how can it be only an infatuation?

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10. Mike Oldfield, “Secrets / Far Above The Clouds” (from “Tubular Bells III”, 1999)

An epic ending to the third installment of Oldfield’s “Tubular Bells” series. The second album, released in 1992, was nothing special – just a song-by-song remake of the first that, save for a few moments, only made me compare it to the original, which always shone in that comparison.
Fortunately, with the third album Oldfield took a different approach and created something new and much better than part II (although, of course, far from the first). And it ends epically with those two pieces that should be listened to together.

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